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The piece has its world premiere May 18; performances are available from 10 a.m. The genre-bending musical pioneer is one of the most important and influential voices of the funk era, combining r&b, jazz, and soul into her raw sound on the three albums she released in the Seventies.

But she was frequently overshadowed by the work and fame of her former husband, Miles Davis.

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Although O’Keeffe is well-known for her floral paintings, a show like this can remind viewers how closely she looked at her subjects, something that’s difficult to convey in a gallery that has only white walls.

—Andrea Miller’s yearlong stint as the Metropolitan Museum of Art’s first choreographer to be artist in residence divided itself neatly into two parts.

To borrow a phrase from the town’s uncommonly sensitive Alma Winemiller, doesn’t that just “give you cold shivers”?

The first, last fall, took place in the Sackler Wing at the Temple of Dendur, where her large group work — developed collaboratively with filmmaker Ben Stamper and composer Will Epstein — integrates art, architecture, soundscape, and movement. —Funk-rock diva Betty Davis is finally getting the attention she so deeply deserves.

Bill Gunn and Ishmael Reed’s Personal Problems, which will have its first U. theatrical run this week, is a crude, clunky relic made during a time when home-video cameras were newfangled pieces of high-tech wizardry the size of a small child.

It was originally shot on tape in 1980, on three-quarter-inch tube-based cameras with automatic irises.

During her stay, O’Keeffe made a series of paintings, seventeen of which will be displayed at the garden There will be twenty total pieces on display.

The pictures — which haven’t been exhibited in New York since their 1940 debut at the gallery of O’Keeffe’s husband, photographer Alfred Stieglitz, on Madison Avenue — will benefit from the garden’s conservatory, where examples of the Hawaiian fauna O’Keeffe painted — birds of paradise, ginger, and hibiscus, among others — can provide additional context.

To finally tell her tale, documentarian Phil Cox has been following Davis since 2013.

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